Projection booth craft
What 35mm Actually Sounds Like in a Braamfontein Booth
Three weekends listening to the projector more than the film: carbon-arc hum, splice pops, and a missing reel nobody could replace.
Read the diaryFilm criticism, interviews, and repertory notes
Pieces our contributors keep coming back to, because they were written by the people who threaded the reels, worked the door or sat through the grading session.
Projection booth craft
Three weekends listening to the projector more than the film: carbon-arc hum, splice pops, and a missing reel nobody could replace.
Read the diaryEvent operations
Queue design, staggered concession runs and the honest math of keeping a room awake until 4 a.m.
Read the notesCraft interview
Transcript excerpts from a Rosebank grading suite on high-veld light, dust haze and why the teal-orange preset goes first.
Read the transcriptContributors named in these pieces also appear across our repertory and sound-mixing coverage. See who wrote what on the people page.
A few working definitions, so nobody has to guess what we mean when we credit a name or describe a screening.
Questions about a credit, a correction or a role listed here can go to info@enneadcineplex.com or by phone at +27140199629. Post reaches us at 57293 Fortuin Crossing, North Werner, GP 0188.